Conductor
A great, musical dream of the singer is then also to work on all Mozart operas with a libretto by Da Ponte “from scratch with a fresh, motivated team of singers as conductor, finding a common language and connecting the voices with the sound of the orchestra.” Even as a child in the choir, he was fascinated by the playing of the orchestra and the role of the conductor, who shaped without making a sound. So it is only logical that Oetterli now increasingly takes on this role himself.
What is important to him is the common path of the orchestra from the first note, the first rehearsal, to the last note of the last performance. It is the constant work of finding the right mix so that everyone in the orchestra can develop their best potential. For him, meaningfulness, inspiration and joy at work go hand in hand with balancing the detail and the big picture toward that one great moment “when I feel a unity forming sonically and atmospherically – a body of sound sounding balanced and breathing together.”
Repertoire
Oper / Film
Bartok
Herzog Blaubarts Burg
Bizet
Carmen
De Falla
La vida breve
Gluck
Orpheus und Eurydike
Leoncavallo
Pagliacci
Mozart
Don Giovanni
Prokofjew
Iwan der Schreckliche
Rachmaninoff
Aleko
Oratorium
Beethoven
C-Dur Messe
Beethoven
Chor Fantasie
Brahms
Nänie
Gounod
Messe Solennelle De Sainte Cécile
Janacek
Věčné Evangelium
Mozart
Krönungsmesse
Puccini
Missa di Gloria
Schumann
Des Sängers Fluch
Szymanowsky
Stabat Mater
Symphonik
Arnold
Concerto für two violins and string orchestra
Beethoven
Klavierkonzert Nr. 5
Haydn
Symphonie La Passione
Martinu
Zweites Klavierkonzert (Incantation)
Mozart Symphonie Nr. 40 g-moll KV550
Ravel
Ma mère l‘Oye
Schostakowitsch
Symphonie Nr. 6
Stravinsky
Concerto in D
Stravinsky
Feuervogel Suite